The Agency Artists
THE ART AGENCIES |
| Ronaldo (Roy) D'Ami studio
of Milan - D'Ami |
| Eurostudio (Milan) - Piero Dami |
| Selecciones Ilustradas of Madrid - S.I. |
| Giolitti Studio of Milan
|
| Bardon Art Studio of Madrid |
| Creacione Editoriales of Madrid |
| Histiografics of Madrid |
| Garcia Pizzaro of Madrid |
| Cosmopolitan Artists Ltd, London |
|
The artists listed here all worked for the agencies
mentioned, and are suspected to have performed work for Fleetway via these
agencies. Where information is available then it is stated, otherwise
it just means that the artist had the "possibility" to have
worked for Fleetway - right time, right place. Little is known about what
work they did, and sometimes the information that is available is contradictory,
however, if you know more: please send me an email.
NAME |
BIO |
AGENCY |
Domenico Alvarez |
Born ?
|
S.I. |
| Angel Badia |
Born ?
He definately worked for Warren (Creepy and Vampirella)
- Fleetway work unknown. |
S.I. |
Enrico Bagnoli |
Born Italy 1925.
Whilst working for these two agencies he did work for Dargaud (France),
Fleetway (UK), DC National and St.John (USA), and Springer-Verlag
(Germany). |
D'Ami and Giolitti |
Carme Barbara |
Born in Barcelona, Spain, this lady artist was busy during the
late 50s and 1960s. Her speciality was heroine types.
Worked for Fleetway and D.C. Thompson. |
S.I. and Bardon Art |
Bea (aka Calsina, J. Bea Font,
Joseph M. Bea, Norton, Sanchez Zamora etc.) |
Born in Spain 1942.
Worked for Fleetway, also Warren (US) on Creepy,
Vampirella etc. |
S.I. |
Miguel Toledano Bennet |
Born Spain 1944
Fleetway - art unknown |
S.I. and Bardon Art |
Bielsa |
Born Spain
Worked on Buck Jones, Kit Carson, and Kansas
Kid for Cowboy Picture Library, and Dick
Daring for Thriller Picture Library. Also
worked on various war picture libraries. |
S.I. and Bardon Art |
Franco Bignotti |
Born Italy
Worked on Cowboy Picture Library and Thriller
Picture Library. Also worked on various war picture libraries. |
S.I. and Bardon Art |
Joaquin Blázquez
(Joaquin Blázquez Garcés)
(b. 6/10/1946, Spain) |
Joaquín Blázquez was born in Barcelona in 1946. When
he was only thirteen he published his first illustrations in Bolivia
with the help of the international agency Bardon Art. His agent Jordi
Macabich was also his drawing teacher. Publisher Ferma released his
first Spanish comic. Joaquín Blázquez' first noticeable
comic was the Buffalo Bill series, published by Galaor in
1964. After doing his military service, he developed both a comic
and a realistic style. He worked for several foreign publishers during
this period, which lasted from 1966 to 1974.
In 1975 Joaquin Blázquez joined the agency Selecciones Ilustradas
and he was immediately accepted to work on the US Warren magazines
such as Vampirella and Eerie.
In 1977 Blázquez participated in the Spanish magazine Eh!,
which soon disappeared. As a result he returned to the agencies:
he worked for Fleetway and Thompson, British publishers through
Bardon agency. Then he did romantic stories through the Norma agency,
also for the British market. At this point he had a personal and
professional crisis which kept him inactive for more than one year.
Joaquín Blázquez made his comeback in late 1978 drawing
the German series Ron Cammaro and he went on working for
the international market as he had done for most of his career,
which includes not only comics, but also painting and sculpture.
|
S.I. and Bardon Art, Norma |
Rafael Boluda |
Born Spain
Worked for both the UK and German markets. |
S.I. |
Buxade |
Born in Spain
Worked for the UK market. |
Bardon Art |
José Cardona |
Born in Spain
Worked for the UK market. |
S.I. |
Carrilo |
Born in Spain
Worked for the UK market. |
S.I. , Bardon Art and Creacione Editoriales |
Gianluigi Coppola
(b. 16/4/1928, Italy) |
Gianluigi Coppola began his career working alongside Ferdinando
Tacconi. He moved to England in 1954, where he began producing
western comics for Amalgamated Press, like Billy the Kid.
In the late 1950s, he drew the Sunday page of Harry Bishop's Gun
Law for the Sunday Express. He continued working
in Britain in the 1960s, when he joined Fleetway. He returned to work
in Italy in 1980, beginning with work for Playboy,
Penthouse and the publishing house Mondadori. He
joined Bonelli in the 1990s, where he became an artist of the Dylan
Dog and Martin Mystère series.
|
|
Carlo Cossio |
Artist and illustrator, born in Udine, Italy 3rd January 1907.
His only recorded work in the UK was via the Cosmopolitan Artists
Agency of London, where he worked for Newnes and Pearson (Falsely
Accused in 1957). |
Cosmopolitan Artists Ltd. |
Cossu |
Born
Fleetway : Tales of Kitty Jane (?Top Spot?) |
Giolitti |
Cubbino |
Born
Romance and war stories for Fleetway. |
D'Ami |
D'Amico |
|
D'Ami |
Salvatore Deidda |
(2/1/1953 - 4/3/1990, Italy)
In the early stages of his career, Salvatore Deidda cooperated in
the creation of Staff di If and illustrated several
war stories for the publishing house Dardo. He was also active for
Cenisio and he also worked for I.P.C. in London throughout the 1970s.
His true debut came in 1980, when he illustrated the Janus Stark
series, written by Stefano Negrini and published in Adamo.
Deidda continued with several independent stories for LancioStory.
From 1984, he illustrated several Martin Mystère stories
for Orient-Express. Salvatore Deidda's career was
abruptly ended, when he died in 1990.
|
D'Ami |
Carlos Ezquerra
(b. 11/1947, Spain) |
Carlos Ezquerra, a Spaniard who has lived in England and Andorra,
is the creator of the Judge Dredd comic strip. Written by
Pat Mills and John Wagner under the collective pseudonym of John Howard,
Judge Dredd made his first appearance in 2000 AD
magazine in March 1977. Ezquerra began working in British comics in
1972 and since 1974 almost exclusively for Fleetway. After only a
couple of episodes, Ezquerra handed over Dredd to Mike McMahon,
who further shaped the character. Besides Judge Dredd, Ezquerra
created Strontium Dog and Al's Baby for 2000
AD and Judge Dredd Megazine. In the 1990s
he returned to the Judge Dredd strip and took on Bloody
Mary at DC publishers. Carlos Ezquerra is also famous for his
work on Star Wars comics and the Dark Horse comic
Mara Jade.
|
|
Stelio Fenzo
(b. 3/8/1932, Italy) |
Stelio Fenzo worked for the magazine L'Asso di Picche
and drew his first comic strip, Indocina in 1947. In the
1950s, he was an illustrator for several magazines. At the same time,
he made many comic adaptations of films for Il Vittoriosso.
He moved to Great Britain in 1953, where he started making several
crime and romance comics for the Fleetway and Thompson presses. In
1962, he returned to Italy, where he took over several series from
Hugo Pratt, including Capitan Cormorant.
In 1968, he began his series Jungla, followed by a longtime
tenure at the magazine Il Giornalino.
|
|
Guglielmo Letteri |
(b. 11/1/1926, Italy)
Born in Rome, Guglielmo Letteri has lived in several countries, including
Albania and Brazil. He did several jobs before beginning his professional
comics career, such as playing in a jazz band. From 1948, he worked
for the Argentine Abril and Columba publishing houses, working alongside
such artists as Hugo Pratt, Alberto Ongaro,
Sergio Tarquinio and Mario Faustinelli.
Moving several times throughout the 1950s, he also took on comics
work for the British Fleetway Press. Back in Italy in 1963, he became
one of the main artists of Tex Willler for publishers Bonelli.
|
|
Gino Marchess |
Air Ace and War Picture Library
stories for Fleetway |
D'Ami |
Paolo Ongaro |
Born in Italy 22nd June 1946
Paolo Ongaro entered the comics field in 1964, inking the work
of Vladimiro Missaglia. Soon, he started on his own, illustrating
some stories for Horror, written by Pierre Carpi.
In 1970 he expanded his activities and illustrated some episodes
of Diabolik and some stories for Il Monello,
L'Intrepido, Il Giornalino, Il
Corriere dei Ragazzi and Collana Eroica.
In the second half of the 1970s, he drew among others Tarzan
for Cenisio, as well as war stories for the Fleetway Press in London.
Ongaro did some historical comics for Larousse, followed by work
for Lanciostory and the sports series Azzurro.
From 1986 he has drawn Disney stories for Topolino. |
|
Artur Aldoma Puig |
(b. 1935, Spain)
Artur Aldoma Puig has been active in many art forms since 1949.
In 1955, he created comics for the English publishers Fleetway and
D.C. Thompson, including several war and western comics.
Puig drew his first big comics for Spirou. After
the end of Marc Dacier in Spirou, Dupuis
replaced the series with Puig's Brice Bolt (with texts
by Charlier). In 1973, he started Commandos de la Nature
with Victor Mora. After this, he began working for the American
and Spanish markets. In 1975, Puig stopped making comics and devoted
himself completely to painting.
|
|
Tello
(Josep Tello Gonzalez) |
(b. 1940, Spain)
Josep Tello Gonzalez is a Spanish artist who works for the Danish
Disney production (Egmont). Born in Barcelona, Tello was the neighbour
of the comics artist Boixcar. He began his career assisting his neighbor
on his realistic comics. He went to London in 1966 to work for the
Fleetway Press. There, he cooperated on several stories about World
War II. He returned to Barcelona after only a year, but he still continued
to work for Fleetway. With the help of Antonio Gil-Bao, Tello got
in touch with Egmont publishers, and he became a versatile artist
of Disney comics. Tello's favourite character was Mickey Mouse,
but he has also drawn comics with other characters. In later years,
Tello started his own agency. Being an agent now, he stopped drawing
comics himself. However, he still kept doing an occasional cover or
game page.
|
|
Alberto Tosi |
Born in Italy
Alberto Tosi graduated at the Academy of Fine Arts in Verona. He
began his career working for several small newspapers. Afterwards,
he became a regular contributor to Il Vittorioso.
Tosi worked for this magazine until 1966. At the same time, he collaborated
on work for several European publishing houses, such as Thompson,
Lug and Fleetway. He has also drawn numerous historical stories
for Il Giornalino, like Le Inchieste del Maresciallo. |
|
Xuasus
(Juan Jesús García) |
(b. 1968, Spain)
Juan Jesus Garcia, better known as Xuasus, is mostly known for his
contributions to the British Judge Dredd Megazine.
He started his career in the mid 1980s in some Spanish fanzines. Through
Bardon Agency he began working for several international comic book
publishers, such as DC Thompson, Copyright Promotions and Fleetway.
His work appeared in such European magazines as L'Echo des
Savanes, France Routes, Commando,
Bunty, Victor, Teenage Mutant
Ninja Turtles, Judge Dredd Megazine and
BBC Magazine. He drew the Judge Dredd comic
for some years, as well as Brit-cit Brute. With Juan José
Plans he also took on artwork for television productions. He is also
active in game design and as a special effects painter in the film
industry (such as the second Harry Potter movie).
|
Bardon Agency |
Juan Zanotto
(b. 1935, Italy) |
At the age of thirteen, Juan Zanotto moved with his family to Buenos
Aires. He started to work in the comic field in 1953 at Universal
Publications. In 1960, he began a ten-year stint working for the English
publishers Fleetway. Also beginning in 1960, he started a lengthy
employment as illustrator for the Codex Publishing House. In 1974,
Zanotto created the series Henga for Record
magazine. Other Zanotto works include Hor and Barbarian,
with Barreiro. Juan Zanotto's creations have captivated readers worldwide,
and he is followed by a legion of fans.
|
|
|
(Argentina)
The Argentine artist Eugenio Juan Zoppi drew for such dailies and
magazines such as La Razon, Gente,
Billiken and the illustrated sports supplement of
El Gráfico. Zoppi was the chief editor of
the Mc Perro supplement of Billiken magazine. He
drew the Misterix comic for several years for Abril,
and also cooperated on other publications of this publisher. For the
foreign market, Zoppi drew for England (Fleetway, Thomson), Chile
(Zig Zag, Lord Cochrane) and Italy
(Gionalino, Lancio Story). He was
the artist on the first comic written by Hector
German Oesterheld, Alan y Crazy, in 1950. Zoppi also
worked freelance for several advertising agencies and publishers.
|
|
Camillo Zuffi
(b. 19th April 1912, Bergamo, Italy -
d. Bergamo, 4th March 2002) |
Zuffi worked primarily for the Italian and French markets where
he worked on Tex Tone (known as Kansas Kid in
the UK) and Il piccolo sceriffo (Le Petit
Sheriff in France and The Little Sheriff in the UK
reprints).
He briefly worked for the UK market where he drew one episode of
Kit Carson for Cowboy Picture Library
and a Mustang Grey story for Pearsons Western Picture
Library.
|
Unknown, but presumable agency work. |
|