Synopsis:
The Spirit, Hollywood's latest hyper-stylised superhero rampage,
wants to be mad, bad, and dangerous to know. It gets the second
bit right. There's adapting a comic book into a functional movie,
and then there's just dumping a lot of half-digested ideas onto
the screen, which is what director Frank Miller has done here with
the source material by Will Eisner, about a masked cop (Gabriel
Macht) felling loonies in yet another of those Sin City-ish urban
noirscapes.
I say loonies, rather than villains, because the pair abysmally
played here by Samuel L Jackson and Scarlett Johansson keep doing
these nuthouse audition pieces – one minute they're mad scientists
grafting miniaturised human heads onto feet, the next they pop up
cackling in SS regalia and jackboots. Ta-dah! The Spirit is certainly
going all out for bonkers, but it chucks these random conceits into
the mix with a mystifying lack of rhyme or reason -- it's all just
weird for weird's sake.
Trying to curb their dementia is The Spirit, a square-jawed vigilante
to whom Macht does bring some suave humour, a welcome contrast to
Christian Bale's endless tortured growling as Batman. Sadly, the
film around him could hardly be worse – frazzled, senseless,
and flatly visualised. It's the Hudson Hawk of crusader flicks.
© Tim Robey, The Daily Telegraph |